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History
Domestic Architecture: Palaces and Stately Homes
PLAZA DE LOS LOBOS, 6
A three-story corner building. The main façade, remodeled in the 19th century over the original, has a regular distribution of openings, with two closures at the ends of the main floor, large balconies on this one and small ones on the upper one, and a doorway of molded and carved stone. The side façade retains two large wrought iron grilles and older elements from the 17th century. The main door is wooden, on pivots, with a side wicket and cut iron nails, sashes, and knockers. The entrance hall leads to a second door, also framed. This leads to the courtyard, which is peristyled on all four sides, with eight Tuscan columns on prismatic plinths of Sierra Elvira stone and carved footings. The floor is paved in stone and has a central fountain and a pillar attached to the back wall of the same material, the latter bearing a magnificent heraldic shield dated 1620. It has fine coffered ceilings with paintings. The staircase has an iron railing and Sierra Elvira stone steps.
In the past, the building extended to Lavadero de las Tablas Street with service buildings surrounding a courtyard-garden, as can be seen in Fernando Wilhelmi's plan from 1928.
Plaza de los Lobos, one of Granada's most characteristic plazas, retains much of its old charm. This may be because cars don't invade its central plaza, nor because it's marred by the loud, colorful tables and parasols and advertisements for nearby bars. The truth is that it remains a plaza with an old-fashioned feel, one of the few remaining. A neighborhood square with a long tradition, where, until recently, children would play, singing nursery rhymes, riding in circles, holding hands.
In this square, on the corner of Horno de Abad Street, stands a house—the one we see here now—very much in the vein of the traditional Granadan houses of yesteryear. The writer and diplomat Melchor de Almagro San Martín, a tireless traveler and keen observer of the Europe of his time (the beginning of the last century), wrote beautifully about the typology of the noble mansions of our city, which he considered to be direct descendants of Roman dwellings. “Visiting the ruins of Pompeii, I believed I discovered the traces of buildings familiar to me.” In the opinion of that cultured connoisseur of life and society, the climate and character of the people of Granada had created a certain type of construction, smaller in size as they became more comfortable. Elegant, spacious houses, open to the air, with cheerful patios and flowery gardens, which were a true joy to their owners. This beautiful estate in Plaza de los Lobos, built in the 17th century, fits this type of mansion, although its main façade was restored in the 19th century.
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